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CUSCO
NAME
OF THE CITY.- There
is some uncertainty about the correct name of the city. According to some chroniclers,
in the first centuries of the existence of this most important city in pre-Columbian
South-America, its name was Akamama that according to Guaman Poma de Ayala means
"chicha's mother" (chicha is a fermented corn beer). Possibly it was
Aqhamama -in the modern Quechua spelling- or "chicha mother". Surely
that name became useless by the beginning of the Inkan development. When this
was the ancient Capital of the Tawantinsuyo, it was named as Qosqo, word that
is translated as "navel" or "center". That is the regular
name for any Quechua speaking Andean Man. After the Spanish invasion in 1533 the
name was transformed into Cuzco, word that according to the Spanish language dictionary
is contemptuous, meaning "hypocrite", "humpback" and "small
dog". This was a way to minimize or satirize the name of the city. Later
the name was changed into Cusco, because over here "z" is not pronounced
as in Spain. By the end of the XX century a very strong social movement is willing
to preserve the original name of this ancient city; thus since June 20, 1990,
the City's Municipality by means of Town Council Agreement Nē 078-A/MC-SG-90 stated
that the official name is Qosqo. POPULATION.-
The population in Qosqo City by the beginning of the XXI century
is projected to be 300,000 inhabitants. The annual growth rate is approximately
4%. In 1821 after 3 centuries of Spanish colonial administration, this city had
about 40,000 people. In the Tawantinsuyo's apogee it should had between 225 to
300 thousand inhabitants.
ALTITUDE.-
The altitude is 3,400 meters above sea level (11,150 feet).
Some persons not used to the high altitude get problems as a consequence of the
oxygen scarcity. There is an inverse relationship: the higher the altitude, the
smaller the amount of oxygen. That phenomenon makes changes in people who live
in high altitudes; they develop their hearts and lungs bigger. Their blood contains
a higher amount of red cells too. Scarcity of oxygen produces in some people the
altitude sickness that is also known as soroche or sickness of Monge. The symptoms
include sleeplessness, headaches, increased excitability, shortness of breath,
and a lower threshold of pain and taste. Tendon reflexes slow down and there may
be loss of weight, thyroid deficiency, lung edema, or infections. Women may experience
dysmenorrhea or amenorrhea, and many people experience psychological or mental
disturbances. For some people it may take days, weeks or even years to adjust
to some altitudes. LATITUDE.-
13° 30' 45". Our latitude indicates that we should have
a tropical or equatorial weather, but it is not like that. Qosqo is cooler because
of its high altitude. LONGITUDE.-
71° 58' 33". We are 5 hours later than the Greenwich
Mean Time. TEMPERATURE.-
It is relatively cool. The annual average in the city is between 10.3°
to 11.3° Celsius (50.54° to 52.34° Fahrenheit). Over here there is some uniformity
in temperature between summer and winter. Normally it is somewhat cold at nighttime
and during the first hours in the early morning while that at midday temperature
increases considerably. During the early mornings in June and July temperature
frequently drops to 5° and 7°C below zero (23° and 19.4°F). RAINFALL.-
The altitude in which Qosqo is found and its proximity to the
equator make the city's climate so special. There are just 2 well-defined seasons:
a dry season and another rainy one. The dry season is from May to October and
the rainy season from November to April. Generally, rainfall fluctuates between
600 to 880 mm. per year, that is between 31.5 to 34.5 inches. HUMIDITY.-
In the lower section of the Qosqo Valley there is an annual
humidity average of 64 %. AREA
| Peruvian Republic: | 1'285,215
Km˛ (496,221 mile˛) | | Inka Region:
| 175,280 Km˛ (67,676 mile˛) |
| Qosqo Department: | 76,225
Km˛ (29,430 mile˛) | | Qosqo Province:
| 523 Km˛ (202 mile˛) | QORIKANCHA The
famous Sun Temple of Qosqo was and is in practice a synthesis of the Inkan organization,
architecture and religion; that had already reached the summit of their level
by 1438. It possibly represented the "Navel of the World"; therefore,
the world's center in the pre-Hispanic Andean Cosmovision.
According
to our history, it was the first Inka, Manko Qhapaq who built the original temple.
But, it was the ninth, Pachakuteq who since 1438 reconstructed, enlarged, improved
and modernized the most important religious complex of the vast Inkan Society.
There are certain discrepancies about the complex's
original name, and though they are not antagonistic ones, they cause a relative
confusion. Frequently in chronicles and history treatises the name Intiwasi
is found, (inti= sun, wasi= house) it means "Sun House"; also the name
Intikancha is used and which would mean "Sun Palace" (this is
considering that almost all Inkan palaces had the noun "Kancha"). While
that its most popular name is Qorikancha that would mean "Golden Palace".
Maria Rostworowski suggests that the ancient temple was known as "Intikancha"
and after Pachakuteq as "Qorikancha". All
the chroniclers coincide manifesting that the quality of the building was extraordinary,
made with gray basaltic andesites coming from the quarries of Waqoto and Rumiqolqa.
The walls have the "Sedimentary" or "Imperial Inkan" type
that is the maximum expression of architecture in pre-Columbian America. The stones
are between medium to large which outer surface is rectangular; the structure
is straight horizontal that in the most important temples exhibit side views with
marked convexity. The joints between stones are polished, so perfectly made that
they do not allow insertion of even "razor blade". The cross section
structure is "tied up", that is, with "H" shaped bronze clamps
or clips in the internal joints that fastened together the lithic pieces avoiding
harmful horizontal displacements in case of earthquakes. The wall also have a
decreasing vertical structure, that is, with bigger stones in the lower part and
every time smaller toward the top. The
walls are wider in the base than on the top; with the classical inclination inward
(there is not a general rule or measurement for that inclination) balanced with
the trapezoidal shape of doorways, niches and openings. Those characteristics
make the walls support themselves forming a resistant, solid, anti-seismic structure
that was able to resist the two huge earthquakes after the Spanish invasion, in
1650 and 1950 that destroyed every tough colonial building. Today in some Inkan
walls of the complex there are a few cracks. They are not a result of bad calculation
or technique of the Quechua architects, but simply, consequence of changes carried
out in colonial times, the earthquakes and mainly exposition to inclement weather
and erosion after all of them. According to some studies the finely carved stone
walls had a continuation of sun-dried mud-bricks on the top forming very steep
gable ends in order to enable drainage of rain waters. The roofing was thatched
made in wood and "ichu" the wild Andean bunch grass, with eaves projecting
out about 1.6 mts. (5.25 ft); roofs which modest aspect was remedied in festivity
days when they were covered with showy multicolored rugs made with special feathers.
Gasparini
believes that the often mentioned by chroniclers "gold edging" that
served as a crown surrounding the whole outer upper side of the temple served,
more over, in order to dissemble the difference between the fine stone wall and
the upper adobe wall. The floor in the open areas of the temple must have been
completely and finely paved with flagstones while the floors inside the enclosures
were surely made with kilned clay as a solid ceramic block like the treated floors
found in Machupicchu.
The temple's main gate faced toward the Northeast;
almost in the same position of the present-day entrance to the Santo Domingo
(St. Dominic) Convent, overlooking the Intipanpa ("Sun
Plaza") that today occupies the small park in front. According to
chroniclers this was a religious complex constituted by temples dedicated
to different deities. It had a layout very similar to that of a classical
"kancha"; with enclosures around a central patio where according
to Cieza de Leon, every doorway was veneered with gold plates.
Cusco: General
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